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Art Criticism

  • Date Submitted: 04/04/2012 10:04 AM
  • Flesch-Kincaid Score: 32.7 
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Observing trends in the art world
Art Critiqued


Creating Distorted Figures
28 Mar Sudo, 2010 by Damien Meade. Oil on linen on board 55 x 44.5 cm.

Tate Britain‘s exhibition Picasso and Modern British Art sets out to trace Pablo Picasso‘s influence on Britain. Hence much of the exhibition looks at British artists influenced by Picasso, including Henry Moore, Francis Bacon and Ben Nicholson, drawing upon the research carried out for other recent exhibitions and the Tate’s own collection, and the exhibition consequently features several works that have appeared recently. Therefore it seems more targeted at the casual audience and tourists during this Olympic year, trying to introduce fresh audiences to the British artists shown. A considerable space and volume of wall text is devoted to indicating works bought by British collectors. This doesn’t seem to add much to the understanding of the artist’s work, or really to indicate that British collectors had a taste for particular genres of Picasso’s practice, but does help to reinforce the country’s importance within the art world and as a powerful nation in the modern world. Indeed a more pressing reason for this section may be to encourage visitors to collect the work of contemporary artists, demonstrating that British collectors can help cultivate major artists, and that by collecting work, one day you might be remembered by being named in a museum exhibiting it in the future.

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Tags: Art, Ben Nicholson, Carlos Noronha Feio, Charlie Dutton Gallery, Contemporary art, Damien Meade, Featured, Figure, Francis Bacon, Gagosian, Henry Moore, Human form, IMT Gallery, John Stezaker, Pablo Picasso, Painting, Photographer's Gallery, Photography, Picasso, Portrait, Portraiture, Rebecca Warren, Studio Voltaire, Tate, Tate Britain, Thomas Ruff...


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